Director’s Diary: Love’s Labour’s Lost
A Lifelong Relationship with Shakespeare by the Sea
My journey with Shakespeare by the Sea began as an audience member, watching Shakespeare’s The Tempest come to life in Logy Bay.
As I grew, so did my connection to the company. I transitioned from spectator to assistant stage manager, performer and choreographer: working on productions that deepened my understanding of classical theatre and community building. The company has always been a place of camaraderie, where artists come together to create something larger than themselves. I am proud to be part of that legacy and to step into a new role under the excellent leadership of artistic director of Sharon King Campbell.
Returning to Love’s Labour’s Lost
This year, I have the privilege of directing Love’s Labour’s Lost—a play that holds a special place in my heart. In 2010, I performed in Shakespeare by the Sea’s production of the show, an experience that solidified lasting friendships and key professional relationships. That production was full of joy, scripted (and unscripted) sailors, and unfortunate rain storms —the kind of show that reminds you why you do outdoor theatre in the first place.
Maria, Rosaline, Katherine, The Princess, Loves Labour’s Lost, 2010, SBTS
This is just the beginning of my directorial journey with Love’s Labour’s Lost. Over the coming months, I’ll be sharing my process—from research and rehearsals to the final performances. I’m excited to document the discoveries, challenges, and triumphs along the way.
Stay tuned for more behind-the-scenes insights as we bring Love’s Labour’s Lost to life!